{"id":1096,"date":"2022-07-15T20:23:39","date_gmt":"2022-07-15T20:23:39","guid":{"rendered":"https:\/\/live.amp.events\/seattle-23\/?p=1096"},"modified":"2022-07-15T20:23:39","modified_gmt":"2022-07-15T20:23:39","slug":"preston-singletary","status":"publish","type":"post","link":"https:\/\/live.amp.events\/seattle-23\/preston-singletary\/","title":{"rendered":"Preston Singletary"},"content":{"rendered":"

Preston Singletary<\/h1>\n

KILLER WHALE TOTEM,\u00a0<\/em>2022<\/h2>\n

Cast lead crystal<\/p>\n

106 inches x 33.5 inches x 22 inches<\/p>\n

Location: Public Project #01<\/p>\n

Presented by Traver Gallery<\/p>\n

\n

The art of Preston Singletary has become synonymous with the relationship between European glass-blowing traditions and Northwest Native art. His artworks feature themes of transformation, animal spirits, and shamanism through elegant blown glass forms and mystical sand-carved Tlingit designs.<\/p>\n

Singletary, a Seattle native, began working in glass in local studios, working with and alongside renowned artists Benjamin Moore, Dante Marioni, Dale Chihuly, and Lino Tagliapietra. As a student and assistant, he initially focused on mastering the techniques of the European tradition. In 1993 Preston traveled to Sweden and was immersed in the Scandinavian design community. While working in Sweden, Preston met his future wife, \u00c5sa Sandlund. Preston continued developing his glass blowing skills when he returned to Seattle and began exploring ways of representing his Tlingit heritage in his glass sculptures, giving his work new purpose and meaning. Since that time, Preston\u2019s skill with the material of glass and traditional form line design has strengthened and evolved, allowing him to explore more fully his relationship to both his culture and chosen medium. This evolution, and subsequent commercial success, have positioned Singletary as a significant influencer of contemporary indigenous art.<\/p>\n

This full-sized cast crystal totem pole, the largest ever created in this manner,
\ndepicts important family crest symbols. At the top of the totem pole is an eagle, representing Singletary\u2019s moiety. A killer whale at the center of the totem represents Singletary\u2019s clan crest. The thunderbird emerging from the mouth of the whale represents the clan crest of David Svenson, the carver of the wooden pole and one of Singletary\u2019s mentors. At the base of the totem is a wolf design, representing the original moiety of the tribe.<\/p>\n

Singletary maintains an active schedule by teaching, lecturing, and exhibiting internationally. In 2009, the Museum of Glass in Tacoma, WA, launched a major mid-career survey of his work, entitled \u201cPreston Singletary: Echoes, Fire, and Shadows.\u201d In 2018 he launched a new traveling exhibition with the Museum of Glass, titled \u201cPreston Singletary: Raven and the Box of Daylight.\u201d This exhibition is currently
\non exhibit at the Smithsonian National Museum of the American Indian through January 2023.<\/p>\n","protected":false},"excerpt":{"rendered":"

Preston Singletary KILLER WHALE TOTEM,\u00a02022 Cast lead crystal 106 inches x 33.5 inches x 22 inches Location: Public Project #01 Presented by Traver Gallery The art of Preston Singletary has become synonymous with the relationship between European glass-blowing traditions and Northwest Native art. His artworks feature themes of transformation, animal spirits, and shamanism through elegant …<\/p>\n

Preston Singletary<\/span> Read More »<\/a><\/p>\n","protected":false},"author":1,"featured_media":1097,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/live.amp.events\/seattle-23\/wp-json\/wp\/v2\/posts\/1096"}],"collection":[{"href":"https:\/\/live.amp.events\/seattle-23\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/live.amp.events\/seattle-23\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/live.amp.events\/seattle-23\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/live.amp.events\/seattle-23\/wp-json\/wp\/v2\/comments?post=1096"}],"version-history":[{"count":1,"href":"https:\/\/live.amp.events\/seattle-23\/wp-json\/wp\/v2\/posts\/1096\/revisions"}],"predecessor-version":[{"id":1101,"href":"https:\/\/live.amp.events\/seattle-23\/wp-json\/wp\/v2\/posts\/1096\/revisions\/1101"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/live.amp.events\/seattle-23\/wp-json\/wp\/v2\/media\/1097"}],"wp:attachment":[{"href":"https:\/\/live.amp.events\/seattle-23\/wp-json\/wp\/v2\/media?parent=1096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/live.amp.events\/seattle-23\/wp-json\/wp\/v2\/categories?post=1096"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/live.amp.events\/seattle-23\/wp-json\/wp\/v2\/tags?post=1096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}